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The Fall of the House of Usher - Dictionary definition of The Fall of the House of Usher. Edgar Allan Poe 1. Author Biography. Plot Summary. Characters. Themes. Style. Historical Context. Critical Overview.

Criticism. Further Reading“The Fall of the House of Usher,” written by Edgar Allan Poe in 1. Gothic horror story, though Poe ascribed the term “arabesque” to this and other similar works, a term that he felt best described its flowery, ornate prose. Featuring supernatural theatrics, which critics have interpreted a number of ways, the story exhibits Poe’s concept of “art for art’s sake,” the idea that a story should be devoid of social, political, or moral teaching.

In place of a moral, Poe creates a mood—terror, in this case— through his use of language. This philosophy of “art for art’s sake” later evolved into the literary movement of Aestheticism which eschewed the symbolic and preachy literature of the day—especially in England—in an attempt to overcome strict Victorian conventions. Because of his emphasis on style and language, Poe proclaimed his writing a reaction to typical literature of the day, which he called “the heresy of the Didactic” for its tendency to preach. Condemned by some critics for its tendencies toward Romanticism, a literary movement marked by melodramatic and maudlin exaggerations, “The Fall of the House of Usher” was nevertheless typical of Poe’s short stories in that it presents a narrator thrust into a psychologically intense situation in which otherworldly forces conspire to drive at least one of the characters insane. Poe was born January 1. Boston, Massachusetts.

His father and mother were professional. Boston. Before he was three years old both of his parents had died, and he was raised in the home of John Allan, a prosperous exporter from Richmond, Virginia. In 1. 91. 5 Allan took his wife and foster son, whom he never formally adopted, to visit Scotland and England, where they lived for the next five years. While in England, Poe spent two years at the school he later described in the story “William Wilson.”Returning with his foster parents to Richmond in 1. Poe attended the best schools available, wrote his first poetry, and, when he was sixteen years old, became involved in a romance which ended when Allan sent him to the University of Virginia at Charlottesville. There Poe distinguished himself academically, but as a result of bad debts and inadequate financial support from Allan he was forced to leave after less than a year.

An established discord with his foster father deepened on Poe’s return to Richmond in 1. Poe left for Boston, where he enlisted in the army for lack of other means of supporting himself and where he also published his first poetry collection, Tamerlane and Other Poems, which the cover stated was “By a Bostonian.” The book went unnoticed by readers and reviewers, and a second collection received only slightly more attention when it appeared in 1.

That same year Poe was honorably discharged from the army, having attained the rank of regimental sergeant- major, and, after further conflict with Allan, he entered the West Point military academy. However, because Allan would neither provide his foster son with sufficient funds to maintain himself as a cadet nor give the consent necessary to resign from the academy, Poe gained a dismissal by ignoring his duties and violating regulations. He subsequently went to New York City, where his book Poems was published in 1. Baltimore, where he lived at the home of his aunt, Mrs. Clemm. Over the next few years, Poe’s first stories appeared in the Philadelphia Saturday Courier, and his “MS. Found in a Bottle” won a cash prize for best story in the Baltimore Saturday Visitor. Nevertheless, Poe was still not earning enough to live independently, nor did Allan’s death in 1.

The following year, however, his financial problems were temporarily alleviated when he went back to Richmond to become editor of the Southern Literary Messenger, bringing with him his aunt and his cousin Virginia, whom he married in 1. The Southern Literary Messenger was the first of several magazines Poe would direct over the next ten years and through which he rose to prominence as one of the leading men of letters in America. Poe made himself known not only as a superlative author of fiction and poetry but also as a literary critic whose level of imagination and insight had been unapproached in American literature until that time. While Poe’s writings gained attention in the late 1. He was forced to move several times in order to secure employment that he hoped would improve his situation, editing Burton’s Gentleman’s Magazine and Graham’s Magazine in Philadelphia and the Broadway Journal in New York.

In addition, the royalties for The Narrative of Arthur Gordon Pym, Tales of the Grotesque and Arabesque, and other titles were always nominal or nonexistent. After his wife’s death from tuberculosis in 1. Poe became involved in a number of romances, including the one that had been interrupted in his youth with Elmira Royster, now the widowed Mrs. Shelton. It was during the time they were preparing for their marriage that Poe, for reasons unknown, arrived in Baltimore in late September of 1.

On October 3, he was discovered in a state of semiconsciousness. He died on October 7 without regaining the necessary lucidity to explain what had happened during the last days of his life. The story begins with an unnamed narrator approaching a large and dreary- looking estate. As he approaches on horseback, he muses on the images before him, the darkness of the house, the oppressiveness of the clouds above, the eye- like windows, the ragged fissure in the side of the house, the fungi on the walls, and the reflection of it all in a nearby lake. He notes that some parts of the house are crumbling and other parts are not.

He sits astride his horse, thinking about the letter he received that initiated his trip and feeling uneasy about the upcoming visit. He remembers happier times he has had with his friend, Roderick, but now, in the face of the present gloomy surroundings, these seem a distant past. Looking at the house, he makes the connection between the family mansion and the family line, both called The House. Usher (a pun on the word “house” having two different meanings). Roderick and his twin sister, Madeline, are the last members of the family line.

The narrator feels as though he is dreaming, as though these visions were “the after- dream of a reveller upon opium.” This foreshadows Roderick’s behavior later, when the two men meet. He is puzzled by questions about the impending visit that have no answer. What was it—I paused to think— what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluable.”He enters the house and a valet shows him to Roderick’s reading room. Roderick is lying on a sofa, but arises to greet him. He looks pale and cadaverous. They exchange greetings, but Roderick’s voice is unsteady and feeble.

His demeanor seems more that of one suffering from drunkenness or from the use of opium. Roderick wants his friend to comfort him and share his last days with him.

He says he has “suffered much from a morbid acute- ness of the senses.” Only the most gentle stimulus could be endured, no hard food, loud music, strong odors, or bright lights. Only “peculiar sounds, and those from stringed instruments, which did not inspire him with horror” are tolerable. Roderick says he will perish from “this deplorable folly.”During this conversation Madeline is seen as she passes through a nearby corridor. She takes no notice of them. Roderick explains that she suffers from a malady even more baffling than his own.

The physicians have said she would the of “a gradual wasting away of the person, and frequent although transient affectation of a partially cataleptical character.”After this sighting, her name is not mentioned and she is not seen alive again.